25/12/15: WLASZE: Weekend Links on Arts, Sciences and Zero Economics

Merry Christmas to all! And in spirit of the holiday, time to revive my WLASZE: Weekend Links on Arts, Sciences and Zero Economics postings that wilted away under the snowstorm of work and minutiae, but deserve to be reinstated in 2016.

[Fortunately for WLASZE and unfortunately for die harder economics readers of the blog, I suspect my work commitments in 2016 will be a little more balanced to allow for this...]


Let's start with Artificial Intelligence - folks at ArsTechnica are running an excellent essay, debunking some of the AI myths. Read it here. The list is pretty much on the money:

• Is AI about machines that can think (in human intelligence sense)? Answer: predictably No.  
• Is AI capable of outstripping human ethics? Answer: not necessarily.
• Will AI be a threat to humanity? Answer: not any time soon.
• Can the AI system acquire sudden singularity? Answer: sort of too far away and doubtful even then.

The topic is hugely important, extremely exciting and virtually open-ended. Perhaps of interest, I wrote back in 2005 about the non-linearity and discontinuity of our intelligence as a 'unique' identifier of humanity. The working paper on this (I have not revisited it since 2005) is still available here.

And to top the topic up, here is a link on advances in robotics over the grand year of 2015: http://qz.com/569285/2015-was-a-year-of-dumb-robots/. The title says it all... "dumb robots"... or does it?..

Update: another thought-provoking essay - via QZ - on the topic of AI and its perceived dangers. A quote summarising the story:
"Elon Musk and Stephen Hawking are right: AI is dangerous. But they are dangerously wrong about why. I see two fairly likely futures:

• Future one: AI destroys itself, humanity, and most or all life on earth, probably a lot sooner than within 1000 years.
• Future two: Humanity radically restructures its institutions to empower individuals, probably via trans-humanist modification that effectively merges us with AI. We go to the stars."

Personally, I am not sure which future will emerge, but I am sure that there is only one future in which we - humans - can have a stable, liberty-based society. And it is the second one. Hence my concerns - expressed in public speeches and blog posts - with the effects of technological innovation and the emergence of the Gig-Economy on the fabric of our socio-economic interactions.

At any rate... that is a cool dystopian pic from QZ

Dangers of AI or not, I do hope we sort out architecture before robots either consume or empower us...

On the lighter side, or may be on a brighter side - for the art cannot really be considered a lighter side - Saatchi Art are running their Best of 2015 online show here: http://www.saatchiart.com/shows/best-of-2015 that is worth running through. It is loaded with some younger and excitingly fresher works than make traditional art shows. 

Like Jonas Fisch's vibrantly rough, Gears of Power 

All the way to the hyper-expressionist realism of Tom Pazderka, here is an example of his Elegies to Failed Revolutions, Right Wing Rock'n'Roll 

And for that Christmas spirit in us, by Joseph Brodsky, translated by Derek Walcott (for a double-Nobel take):

The air—fierce frost and pine-boughs.


We’ll cram ourselves in thick clothes,


stumbling in drifts till we’re weary—


better a reindeer than a dromedary.

In the North if faith does not fail


God appears as the warden of a jail


where the kicks in our ribs were rough


but what you hear is “They didn’t get enough.”

In the South the white stuff’s a rare sight,


they love Christ who was also in flight,


desert-born, sand and straw his welcome,


he died, so they say, far from home.

So today, commemorate with wine and bread,


a life with just the sky’s roof overhead


because up there a man escapes


the arresting earth—plus there’s more space.

Merry Christmas to all!

11/10/2014: WLASze: Weekend Links on Arts, Sciences & zero economics

One of my by-now rather irregular WLASze posts: Weekend links of Arts, Sciences and zero economics. Enjoy!

In the week of Nobel prizes, it is worth taking a look at some awards.

Chemistry: a well-deserved award for empirical work on improving our ability to observe sub-cellular activities http://www.nytimes.com/2014/10/09/science/nobel-prize-chemistry.html?partner=rss&emc=rss&smid=tw-nytimes&_r=0 And a lovely story of a scientist leaving a big mark on his field and then leaving the field…

Meanwhile, in Physics, the Prize went for an invention that is rather more about engineering than science: the LED (and a sub-component of that, to boot): http://www.nytimes.com/2014/10/08/science/isamu-akasaki-hiroshi-amano-and-shuji-nakamura-awarded-the-nobel-prize-in-physics.html?rref=science&module=Ribbon&version=context&region=Header&action=click&contentCollection=Science&pgtype=article In my view, nothing earth-shattering as far as knowledge goes, but big item as far as practical applications are concerned.

Physiology (or popularisingly: Medicine): an exciting choice covering the discovery of the structure of the brain responsible for spatial positioning: http://www.nytimes.com/2014/10/07/science/nobel-prize-medicine.html?rref=science&module=Ribbon&version=origin&region=Header&action=click&contentCollection=Science&pgtype=article

And a priceless account by 2011 Nobel Physics Prize winner of his attempt at smuggling the Nobel medal to fargo, North Dakota… http://blogs.scientificamerican.com/observations/2014/10/10/nobel-prize-airport-security/

Stories are the stuff Literature is made of. And Modiano - this year's winner - is no stranger to them. http://www.theguardian.com/books/2014/oct/09/patrick-modiano-wins-nobel-prize-for-literature. Another take on same: http://moreintelligentlife.com/blog/simon-willis/my-first-patrick-modiano.
Let my literary professionals friends take this one over…

While you were on the pages of Scientific American, did you spot this gem? "Is Kindness Physically Attractive": http://blogs.scientificamerican.com/beautiful-minds/2014/10/09/is-kindness-physically-attractive/ . Clearly, there's no end to social 'sciences' experimentation… at which point it is probably worth shouting: "Stop! Leave at least something undiscovered, will you?" To break my own chain of thinking - here's a link I blogged on before, covering the Mathematics of Beauty: http://www.boston.com/ae/theater_arts/articles/2009/02/22/beauty/?page=full

But no, never, reply social 'scientists', deploying a total buzz-killer: the Social Machines to Tackle Twitter http://socialmachines.media.mit.edu/ At least, for now, the machines are chasing us… for now… Half-ironically, earlier today I tweeted:

which relates to the MIT Media Lab's latest Lab nicely and, of course, confirms the self-referential nature of social 'science'. At one point we will get fed up with all this trawling of the  www and start thinking once again.

Meanwhile, for those who still marvel at art and science and thought, a nice essay on one of my favourite artists of all times, Anselm Keifer: http://www.prospectmagazine.co.uk/arts-and-books/anselm-kiefer-inside-a-black-hole

Here are some of the links to his works:
http://www.saatchigallery.com/aipe/anselm_kiefer.htm

https://theartstack.com/artists/anselm-keifer
http://www.tate.org.uk/art/artists/anselm-kiefer-1406
Maybe it's German psyche exposed. Or human one. Or both... just kidding...

And to marvel at something entirely different, a wonderful essay on the Killogram: http://moreintelligentlife.com/content/ideas/tom-whipple/weight-almost-over via The Economist's Intelligent Life supplement.

14/9/2014: WLASze: Weekend Links of Arts, Sciences and zero economics

This is WLASze: Weekend Links of Arts, Sciences and zero economics. Enjoy.


Couple of 'firsts' this week. The first supernova spotted by the ESA Gaia that repeatedly scans the skies in order tod etect emerging anomalies: http://www.redorbit.com/news/space/1113233469/supernova-first-for-esa-gaia-observatory-091414/

The thing is hardly visually dramatic. Earlier, Hubble took an actual image of a distant supernova exploding and
http://www.redorbit.com/images/pic/61042/hubble-snags-one-of-the-farthest-exploding-stars/

And as impressive as it was in imaginary and scientific terms, visually the whole thing is a bit more like 'Meh!'… Closer up, things are much more impressive, as this NASA’s Chandra X-ray Observatory image of January 21, 2014, explosion of supernova in the Messier 82, or M82, galaxy suggests

Source: http://www.redorbit.com/images/pic/89147/universe-chandra-images-supernova-explosion-081514/


Another win for ESA is the image of the post-supernova remnants, showing the destructive results of a powerful supernova explosion "in a delicate tapestry of X-ray light, as seen in this image from NASA’s Chandra X-Ray Observatory and the European Space Agency's XMM-Newton": http://www.redorbit.com/images/pic/89219/universe-x-ray-view-of-supernova-remains-puppis-a-091214/#g1ypXAI5OHo5MlIY.99

Technology is a winner in the above… But it can also be a loser.

Behold NY Times Magazine's daft and boring exercise in neo-tech-classicism: http://6thfloor.blogs.nytimes.com/2014/09/10/under-cover-how-we-turned-lena-dunham-into-a-neoclassical-bust/?smid=tw-nytimes
In summary, they took an old sculpture by Canova and using a bunch of tech tricks copied it into a rendition of Lena Dunham (an actress and director). Expensive, elaborate and full of hype, this was just an attempt to prove to us that in the 21st century, with much of tech thrown its way we can make something similar to what Canova did in 1805-1808 with Pauline Bonaparte presented as Venus Victrix without any fancy tech, a team of 'specialists' and NY Times cameras and marketing machines running.

Cutesy, over-conceptualised and boring…

The cover story itself is worth reading, though: http://www.nytimes.com/2014/09/14/magazine/lena-dunham.html although the NY Post nails it by saying: "On the matching column of life (or art), one would never connect Bonaparte, an Imperial French princess and sister of Napoleon, with Dunham. The insistence on raising the “Girls” co-creator to the level of high art seems peculiar and a silly stretch at the very least. There’s nothing highbrow or particularly artful about her show — it’s a personality-driven vehicle that is sometimes funny and sometimes not, depending on your tolerance for self-referential irony and those bathing suit scenes." (http://nypost.com/2014/09/12/why-lena-dunhams-nyt-mag-cover-is-all-wrong/)


Let's stay for the moment with technology and its value. As the above suggests, some is for 'keepers' some is for 'undertakers'. Something similar to the taxonomy of knowledge here: http://www.farnamstreetblog.com/2014/09/the-book-of-trees-manuel-lima/ albeit not as elegantly expressed...

Dunham's 'bust' is for the latter. Here's an example of tech history for the former: http://www.aspeninstitute.org/about/blog/national-geographic-channel-features-time-capsule-found-at-aspen-meadows. Back in September 2013, some historians of technology dug up the time capsule deposited in 1983 by a bunch of techies. It contained some seriously epochal pieces of hardware, like Lisa Mouse - the first prototype of the computer mouse used by Steve Jobs.

In the link above, you can hear Jobs' speech at the conference back in 1983, where he mentions voice recognition, office and household networking, wifi connectivity, extension of networked computers into our lives to squeeze out the role played by cars, portability of computers "an incredibly great computer in a book that you can carry around with you that you can learn how to use in 20 minutes" and how the musical record industry will be transformed by software, erasing traditional music stores.


Moving on from stars, tech, science and all things geeky, onto matters aesthetic. Here's an absolutely stunning building design by emerging studio Zeller & Moye and overseen by Mexican architect and gallery founder Fernando Romero
http://www.dezeen.com/2014/02/18/fernando-romero-fr-ee-archivo-gallery-raw-exoskeleton-building/
Dramatic slicing of space, shifting and rotating of perspectives is, nonetheless, deeply integrated into its surroundings. A truly fantastic design, albeit the one that will in the end be neutered by health-and-safety requirements of any public building.

So here you have it: random and yet interconnected links... just as WLASze supposed to be... Enjoy!

7/92014: WLASze: Weekend Links of Arts, Sciences & zero economics

This is WLASze: Weekend Links of Arts, Sciences & zero economics… Enjoy… a random selection not exactly unified by any singular theory...

A fantastic selection of cityscapes from Instagram collections: http://nymag.com/daily/intelligencer/2014/08/outlaw-instragrammers-of-new-york-city.html

Some are intimately epic

Some are epically intimate

Yet many are amazingly absolutely stunningly compositional. See more here: http://instagram.com/humzadeas?utm_source=partner&utm_medium=embed&utm_campaign=photo


Looking at the Big with an eye for the Small - as Humza Deas does above - goes well beyond just art. Here's a - perhaps surprising in comparative terms, yet fundamentally similar - example of applying statistical (simple Bayesian to boot) tools to searching for a needle in a massive haystack:
http://www.technologyreview.com/view/527506/how-statisticians-found-air-france-flight-447-two-years-after-it-crashed-into-atlantic/#.U_l7qFL1u_I.delicious

But needle in the haystack is nothing compared to a microbe on a continent… problems get bigger, but the intimate dimension always remains. Take for example the search for extraterrestrial civilisations. Feeling lonely ain't good thing for humanity, but applying our self-image to the search for others might have a set of values of its own, an intrinsic utility, including that of understanding the bounds to our own world. Here's a good example: http://www.technologyreview.com/view/530211/the-search-for-extraterrestrial-civilizations-waste-energy/ Do note the point (logical transition) of moving from own galaxy search to other galaxies search as linked to energy.

Sometimes, of course, by their very property, needles do stand out in space… here's one: http://www.cbc.ca/news/technology/meteorite-creates-brightest-flash-on-moon-ever-recorded-1.2549588
Or in more scientific display: http://www.space.com/24789-moon-meteorite-impact-brightest-lunar-explosion.html

Aside from searching for small in large, what about the large itself? Finding the haystack and unwiring, uncoupling, sorting through the strands of hay… ArsTechnica's "The never-ending conundrums of classical physics"  http://arstechnica.com/science/2014/08/the-never-ending-conundrums-of-classical-physics/ doesn't quite accomplish the full task of cataloguing the  haystack of classical physics, but it does provide a glimpse of how rich the field of inquiry really is. To those, I must confess myself including, who were bored to death by endless 'classical' problems of "An object traveling at speed X, hits a mass Y under the angle Z positioned on the slope with an angle A…" variety in high school, this is quite enlightening… As soon as MiniG is couple of years older, we shall revisit this all…

For many search for extraterrestrial can always start in the tangible world of the abstract art. If you are one of them, you should be in the Tate. Previously I profiled Tate's exhibition of the works of Kazimir Malevich a Polish by ethnicity Russian painter born in Kiev region. Here are two more articles on the subject:

First, we have Atul Dodiya (a Mumbai based artist) on the relationship between his own work and that of Malevich: http://www.tate.org.uk/context-comment/articles/atul-dodiya-on-malevich. Dodiya's page at Saatchi is here: http://www.saatchigallery.com/artists/atul_dodiya.htm. His Portrait of Niko Pirosmani (another painter, Georgian this time around, from the period, Niko Porosmanishvili) actually draws on some Malevich's techniques - a combination of iconic representations and distilled chromatic and geometric interplays.

Second, an article on Malevich's Black Square: http://www.tate.org.uk/context-comment/articles/five-ways-look-Malevich-Black-Square taking the reader through the quick tour of suprematism and the political/philosophical context of the movement. But perhaps the best value in the article is the ending: "When it was exhibited people found it a strange thing and people still find it a strange object today. There’s no wrong or right way to look at it; you could say it looks like a window into the night, or you could say it is just a black shape on a white canvas, (which is more of what Malevich was intending…) but it’s like a very simple gesture. Malevich set out to forever change the idea of painting to represent reality, and its intriguing to think how doing something simple or even seemingly dull, can sometimes be revolutionary; that’s what makes the Black Square a radical thing, however you look at it."

A simple gesture…

As simple as a needle in a haystack or a haystack decomposed into an order... figurative, like classical physics, and equally deep too... Enjoy!

23/8/2014: WLASze: Weekend Links on Arts, Sciences & zero economics

This is WLASze: Weekend Links on Arts, Sciences and zero economics.

First to start with - a major scientific breakthrough in physics coming from Yale. As the official website claims, "It’s official. Yale physicists have chilled the world’s coolest molecules. The tiny titans in question are bits of strontium monofluoride, dropped to 2.5 thousandths of a degree above absolute zero through a laser cooling and isolating process called magneto-optical trapping (MOT). They are the coldest molecules ever achieved through direct cooling, and they represent a physics milestone likely to prompt new research in areas ranging from quantum chemistry to tests of the most basic theories in particle physics."

Link: http://news.yale.edu/2014/08/20/yale-s-cool-molecules-are-hot-item

MOT jargon - for those inclined - here: http://www.nature.com/nature/journal/v512/n7514/full/nature13634.html

Meanwhile, in Australia, same cooling method is reportedly being used to improve performance of super-high resolution microscopes: http://www.wallstreetotc.com/laser-microscopes-20-times-more-sensitive-and-advanced-scientists/27412/

All in one week of cooling… and it is still summer...


Super cooling in physics, is not as cool as super structures in architecture, especially nostalgically grandiose (even when small enough to be just a summer camp for kids) architecture of the USSR. Here's a site that compiled some of the lesser-known examples: http://geliopolis.su/data.shtml

My favourite: the said camp, built in Vladivostok in 1975… it's human and ambitious and unorthodox at the same time…

And while on the same site, check out their 'Timeline' page http://geliopolis.su/time.shtml it is simply brilliant.


While architectural relics of ideologically-anchored aesthetics might be heftily cool, and super cool particles might be air-like brilliant, sometimes merging science, tech and creativity produces flashes of brilliant horror. And more often than not these can be found on wordlessTech website where editors have a never ending penchant for grotesque, macabre and outlandish without a moderating dose of taste.

Here is an example: http://wordlesstech.com/2014/08/12/faraday-cage-dress/

She looks cool, she looks super-techy-geeky-beautiful in that sense that just might get the entire Dublin WebSummit stop scratching and tapping their iPads for a minute… but don't try wearing this outfit on your local bus, or to a date… unless you want to fry an entire neighbourhood.

There is no point of asking why on earth would anyone want to make a 1 million volt outfit statement. It is neither abstract nor conceptual enough to be art and it is certainly not forward-thinking enough to be haute couture. It is, in fact, like merging a DNA of a dinosaur with GM corn - it won't roar and it won't taste good either... not cool enough and over-laboured…

9/8/2014: WLASze: Weekend Links on Arts, Sciences and zero economics

This is WLASze: Weekend Links on Arts, Sciences and zero economics.

Flyfishing in the Dolomites right ahead of the approaching rain is a borderline crazy form of fun. The fish are rising to the shallower waters to feed, the insects are forced closer to the water surface and the rumblings of thunder seem so distant, so non-threatening… until within seconds air turns water and within a minute you can't tell weather you've been wading knee-deep or took a full swim in a 2 meters deep hole.

Here's a picture of my fishing hole just an hour before the storm rolled in.

Water is amazing - it is an artist and a menace, a nurturer and a destroyer, a living thing that is ice-cold and hostile, yet reads like a mystery novel.

Water is what makes Earth. Or we think it makes the surface of Earth and small bit of the subterranean kingdom of aquifers and underground rivers. But no more. Most recent scientific research strongly indicates that in fact oceans worth of water exist some 400 miles below Earth's surface, stored in mantle rocks. Here are two links on this research: http://www.sciencedaily.com/releases/2014/06/140612142309.htm and http://www.sciencedaily.com/releases/2014/03/140312150229.htm?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+sciencedaily%2Ftop_news%2Ftop_science+%28ScienceDaily%3A+Top+Science+News%29

I doubt the oceans at 250-400 miles below Earth surface have trout in them. And I doubt there will be any fishing trips planned for the location any time soon, but that water shapes, just as surface water does, Earth's 'climate'. Instead of actual atmospheric weather, however, that climate is geological. Per one of the articles linked: "One of the reasons the Earth is such a dynamic planet is the presence of some water in its interior," Pearson said. "Water changes everything about the way a planet works."

Of course, climates are possible absent water, for otherwise the skies of the waterless planets that surround us would have been un-animated. They are not. In fact, waterless worlds generate much more extreme weather than our planet, even when you control for the global warming. Here's a neat summary of some spectacular weather you can expect were you to be able to travel there: http://theweek.com/article/index/257040/the-wildest-weather-in-the-universe?utm_source=links&utm_medium=website&utm_campaign=twitter


"Heavy-Metal Frost on Venus"… may be so... down on Earth, rushing from my flyfishing hole tonight, soaked through to the insides of layers of my gear, and listening to AC/DC's 'Hell's Bells' the fog of clouds stuck around me on the mountainsides looked like a frost-covered forest. Venus it was not, but the Dolomites above and ahead of my bike were looking more like an exoplanet of sorts, full of heavy-metal frost of an entirely different chemical composition…

And for what it's worth, an advice, don't try flyfishing in the alpine thunderstorms at home. It takes a pro… and a good dry room nearby…

Oh...and I almost forgot... a piece of music: https://www.youtube.com/watch?v=6Rt2pJ2AFpY by Nikolai Medtner, Piano Concerto number 1 (op.33). It is about memory, which is like water, slave of gravity and shaper of gravity simultaneously.

4/7/2014: Fourth of July WLASze

This is WLASze: Weekend Links to Arts, Sciences and zero economics and in spirit of the 4th of July Day one hell of a 'Happy Birthday, America' webcards from deezen:
http://www.dezeen.com/2014/07/04/five-favourite-dezeen-american-architecture-projects-2014-4th-july/

My personal favourite: http://www.dezeen.com/2014/01/16/the-pierre-concrete-house-olson-kundig-architects/

And a bit of brilliant history of the Day when "treason was preferable to discomfort"... http://www.wired.com/2014/07/celebrate-the-4th-of-july-because-horse-flies/ Say, Thanks, America, to Tabanus Atratus, for the hotdogs and the fireworks and the football games in the parks... for the 4th of July:

Via http://www.wired.com/2014/07/celebrate-the-4th-of-july-because-horse-flies/

29/3/2014: WLASze: Soul v Science in a Corporeal Juxtaposition

This is WLASze: Weekend Links on Arts, Sciences and zero economics.


Nothing can be as inspirational as real artistry and craftsmanship. And few examples of both stand head tall over the endless horizon of time than the works of Antonio Stradivari.

This week, Sotheby's announced that it is selling "what is regarded as the finest viola in existence – the "Macdonald" made by Antonio Stradivari in 1719." The 295-years old instrument is expected to go for more than £27m, "a figure that would easily surpass currently standing auction record for an instrument – the Lady Blunt Stradivari, which sold for £9.8m. It would (if achieved) also be higher than any known private sale." Per Sotheby's VC: "The instruments of the Stradivari are in a class of their own among the pinnacles of human craftsmanship and the Macdonald viola stands at the unquestioned summit."

Source: http://www.theguardian.com/uk-news/2014/mar/26/stradivarius-sothebys-macdonald?CMP=twt_fd Announcement: http://www.sothebys.com/content/sothebys/en/news-video/videos/2014/03/the-macdonald-viola-by-stradivari.html and you can read about the sale of Lady Blunt instrument here: http://www.newser.com/story/121578/stradivarius-violin-sells-for-16m.html

There is little doubt Antonio Stradivari (1644-1737) was the greatest maker of violins and violas of all times, having authored at least 1,116 instruments, although only around half still survive today.

There is a host of arguments attempting to capture the Stradivari's unique character. Here is an example:

"A Stradivarius in a good condition emits high-frequency sounds in a range where human hearing is the most sensitive. These frequencies become more audible in larger rooms. That makes the Stradivarius ideal for concerts in spacious concert halls and for performances together with big philharmonic orchestras.

The sound of these sublime instruments is so very characteristic that an observant listener can distinguish their superior tone when hearing the same artist playing on different instruments.

The sound of the old master instruments is not only superior in the vivacity of the tone; it is also insistent and captivatingly beautiful. The lustre and beauty of the instrument’s tone is as close you can come to the immaculate voice of a great opera diva." (Source: http://stradivariinvest.com/instruments/luthiers/)


But the magic, the allure, the raw emotional connection to Stradivari instruments - wether by public, critics or performers - also raises questions. The most pressing and the longest running one is: What makes Stradivari unique? And the less pressing, but probably more important one is: Is Stradivari unique?

Here is a note about one attempt to answer the first questions - a paper using the x-ray imagery to study the instruments: http://www.telegraph.co.uk/news/worldnews/europe/netherlands/2230123/Secret-of-Stradivarius-violins-superiority-uncovered.html

In contrast to physical qualities, some researchers have argued that chemical qualities to the wood used by Stradivari grant his instruments the power of uniqueness. Here is the paper looking into that aspect: http://www.scientificamerican.com/article/secrets-of-the-stradivari/ and http://www.sciencedaily.com/releases/2009/01/090122141228.htm

But there are doubts about both the existence and the source of Stradivari's violins performance compared to other outstanding works by contemporary and later craftsmen.

Here is an example of the scientific work performed by Colin Gough over the years that attempts to identify unique properties of Stradivari sound and fails to find them:
http://www.fritz-reuter.com/articles/physicsorg/Science%20and%20the%20Stradivarius%20(April%202000)%20-%20Physics%20World%20-%20PhysicsWeb.htm

And a more recent, brilliantly structured (albeit small sample and restricted spatial dimension) double-blind test study attempting to assess the ability of top violinists to discern the instrument they play: http://blogs.discovermagazine.com/notrocketscience/2012/01/02/violinists-cant-tell-the-difference-between-stradivarius-violins-and-new-ones/#.UzRD3a1_uzg

But may be the science of all of this is simply missing one core point: an artist is more than just a collection of physical properties - be they of her/his instrument or her/his own making. May be art is an intimate expression or at least a reflection of the soul (let me be old-fashioned here and surmise that soul exists without having to resort to attempting to explain what it might be). If so, then who cares if technically Stradivari's greatest achievement might have been in his instruments ability to trigger a (scientifically) placebo effect. The core result is the effect itself, as far as we are concerned with art. And that effect is undeniable. Virtuoso violinist Anne-Sophie Mutter likened playing her Strad for the first time to meeting her soul mate: "It sounded the way I (had) always been hoping," she said. "It's the oldest part of my body and my soul. The moment I am on stage, we are one, musically."

You might smile and say 'But studies show…' or you might marvel at her music and remember that is some intangible, non-scientific, quasi-religious way, it is a product of the Strad and thus a product of some guy who lived 300 years ago in a town called Cremona and had no computers, no state-granted labs, no complicated supply chains to procure and deliver rare varieties of wood, no precision equipment to mix his glues, lacquers, dyes and so on… and yet was able to give us something that no scientist to-date was able to explain...

Not bad. 300 years old… yet to be surpassed by anyone or anything, short of Stradivari's younger contemporary: Bartolomeo Giuseppe Guarneri del Gesù…  yet to be explained by anything or anyone... yet to be definitively established as anything beyond being sublime...

9/1/2014: Public Lecture in Biochemisty and Immunology

Fascinating stuff:

The School of Biochemistry & Immunology in TCD:  public lecture in Biomedical Frontiers series. 

Professor Ken Mok, "Who da mule? - Smuggling molecules across (biological) borders
" 

Key topics:

• Why is basic research important? 
• Can we really predict which 'horses' (= specific application areas) to bet on in the long run? 
• Telling "a factual story in protein folding/misfolding research where a potential drug-transporting 'mule' - rather than 'horse' - was serendipitously found through basic studies. Widespread interest in this protein-fatty acid complex is growing due to its remarkable properties of selectively killing cancer cells while leaving healthy, differentiated cells intact."

Event details
:

Date: Wednesday 15th January  
       

Time: 6:30pm
       

Venue: Stanley Quek Theatre, Trinity Biomedical Sciences Institute, Pearse Street
       

All welcome and admission is free

Details: http://www.biochemistry.tcd.ie/news/publiclectures.php

24/12/2013: Christmas Eve WLASze: Weekend Links on Arts, Sciences and zero economics

This is Christmas Eve WLASze: Weekend Links on Arts, Sciences and zero economics…

For the evening we are in, here's timeless and epic Komar & Melamid project The Most Unwanted Music composed for DIA, NYC - a homage to… well… the Christmas Jingle starts at 8:35
http://www.wired.com/listening_post/2008/04/a-scientific-at/


A powerful visual of Christmas Eve around the world via The Wall Street Journal: http://online.wsj.com/news/articles/SB10001424052702304475004579278183520964564


And on to truly sublime - a Christmas Poem by my favourite poet of all times: Joseph Brodsky:

***
DECEMBER 24, 1971

When it’s Christmas we’re all of us magi.
At the grocers’ all slipping and pushing.
Where a tin of halvah, coffee-flavored,
is the cause of a human assault-wave
by a crowd heavy-laden with parcels:
each one his own king, his own camel.

Nylon bags, carrier bags, paper cones,
caps and neckties all twisted up sideways.
Reek of vodka and resin and cod,
orange mandarins, cinnamon, apples.
Floods of faces, no sign of a pathway
toward Bethlehem, shut off by blizzard.

And the bearers of moderate gifts
leap on buses and jam all the doorways,
disappear into courtyards that gape,
though they know that there’s nothing inside there:
not a beast, not a crib, nor yet her,
round whose head gleams a nimbus of gold.

Emptiness. But the mere thought of that
brings forth lights as if out of nowhere.
Herod reigns but the stronger he is,
the more sure, the more certain the wonder.
In the constancy of this relation
is the basic mechanics of Christmas.

That’s what they celebrate everywhere,
for its coming push tables together.
No demand for a star for a while,
but a sort of good will touched with grace
can be seen in all men from afar,
and the shepherds have kindled their fires.

Snow is falling: not smoking but sounding
chimney pots on the roof, every face like a stain.
Herod drinks. Every wife hides her child.
He who comes is a mystery: features
are not known beforehand, men’s hearts may
not be quick to distinguish the stranger.

But when drafts through the doorway disperse
the thick mist of the hours of darkness
and a shape in a shawl stands revealed,
both a newborn and Spirit that’s Holy
in your self you discover; you stare
skyward, and it’s right there:

a star.
***

And another one from Brodsky: 50 years old today:

50 years since: Joseph Brodsky's Christmas 1963:

***
Рождество 1963

Волхвы пришли. Младенец крепко спал.
Звезда светила ярко с небосвода.
Холодный ветер снег в сугроб сгребал.
Шуршал песок. Костер трещал у входа.
Дым шел свечой. Огонь вился крючком.
И тени становились то короче,
то вдруг длинней. Никто не знал кругом,
что жизни счет начнется с этой ночи.
Волхвы пришли. Младенец крепко спал.
Крутые своды ясли окружали.
Кружился снег. Клубился белый пар.
Лежал младенец, и дары лежали.
***

What can I say, but that Christmas is, as Brodsky described it:
"Emptiness. But the mere thought of that
brings forth lights as if out of nowhere."


Merry Christmas to all!

13/7/2013: WLASze Part 1: Weekend Links on Arts, Sciences and Zero Economics

This is Part 1 of my regular WLASze: Weekend Links on Art, Sciences and zero economics. Enjoy!


"Nostalgia had been considered a disorder ever since the term was coined by a 17th-century Swiss physician who attributed soldiers’ mental and physical maladies to their longing to return home — nostos in Greek, and the accompanying pain, algos." Todays view: "Nostalgia does have its painful side — it’s a bittersweet emotion — but the net effect is to make life seem more meaningful and death less frightening." A fascinating article from NYT on research into the role nostalgia plays in our lives:

As Derek Walcott said:
"Art is History's nostalgia, it prefers a thatched
roof to a concrete factory, and the huge church
above a bleached village.  The gap between the driver  
and me increased when he said:
                          “The place changing, eh?”
where an old rumshop had gone, but not that river
with its clogged shadows. That would make me a stranger.  
“All to the good,” he said. I said, “All to the good,”
then, “whoever they are,” to myself. I caught his eyes  
in the mirror. We were climbing out of Micoud.  
Hadn’t I made their poverty my paradise?"

The whole poem is linked here. Keep an eye on that space/time/art/nostalgia continuum in links below.


I mentioned John Baldessari in last weekend's post and here's Baldessari in a conversation with Ed Ruscha dealing with works by another modern art's great: Richard Artschwager. Classic RArt: Destruction IV, 1972 — Acrylic on celotex 40x48in

Something less art-theoretic and more design-tied: a fascinating video from the relic of the past that keeps (nostalgia-helping)a firm footing in the present: it's Morgan carmakers' tour through their factor. I am not kidding you - this video is fascinating: they build things like this:

From design to science policy (though scientific precision does not exactly match Morgan's image and output, inspiration is similar). Aiming for the Big Thing, two US lawmakers decided to stake some territory on the Moon and called on the US Federalistas to "establish a US national park about 240,000 miles outside of America’s borders". Nothing outlandish there - the US planted a flag on the moon and can have territorial claim to some of it, presumably. I am sure Russians will support this, since their rovers covered more of the lunar surface and have laid a claim to bit of it too. Which begs a question: if the Federalists in Washington do create a 'park' on the moon, how soon will Gasprom be drilling for lunar gas in the vicinity of the American National Park?


For the time being, Lunar Park of the 'nostalgic future' (not to be confused with Luna Parks of the 'nostalgic past') is a matter of dreams for some over-enthusiastic congresswomen. Which means we can safely look into the past and imagineer from its artefacts the world of art we never knew (or cared to know). Archeology is a derivative of nostalgia (not uniquely of it, but nonetheless containing it): a fascinating find from China.

Mostly, we agree (for now) that true writing of language, beyond the system of counting things or simply marking things with a representative symbol, was invented independently from each other in at least two civilisations: Mesopotamia's Sumer ca 3400 BCE and Mesoamerica's Olmec or Zapotec around 600 BCE (put simply in colloquial Americana terms - very old Mexicans). Two other civilisations claim independent invention of writing: Egypt ca 3200 BCE and China ca 3600 BCE. Egyptian claim is a challenge to Sumer's claim. Meanwhile India is pushing for its own claim to fame on this, with Indus script from the Bronze Age ca 2200 BCE. The issue of dating the formation of languages arises because we generally have to distinguish symbolic scribbling - denoting some concepts, but not a full system of written language - from genuine fully symbolic and structured writing. This is the reason why there is a debate about whether earlier Mesopotamian symbolic records, dating to 5000 BCE are form of writing or not. And the same debate is going to apply to the Chinese finds described in the link above. Nonetheless, the latest find does support the idea of independent writing formation in China and at around the time when the first writing appeared or started forming in another part of the globe.


But enough of stuff old and physically proximate. Let's get out far away into Space. The five facts about the black holes can be scary, their size (so big that you can just fatalistically utter: 'who cares' should one be formed next to our solar system), their theoretical omnipresence (the Schwatzschild radius principle), their power (somehow, being ripped apart by a black hole seems more pleasant that being ripped apart by a Spanish bull), they trap and loop light (and fold space into a perfectly closed loop) at the photon sphere, and they can bend time. But… just think - all the energy they trap can provide infinite supply of non-fossil fuels powered electrical bulbs the Greens dream about… And thus, expect an Intergalactic Centre of Excellence in Offshore Black Holes Energy Harvesting to be formed in Drogheda, around 2113, just about in time for the Chinese to become official Irish language Number 3.


While out in space, but closer to our planet, picture of the week:

Iapetus is the third largest moon of Saturn discovered by Giovanni Cassini in 1671. You can see Cassini Spacecraft images in raw colours here.


Staying in space for the next story: "Astronomers used the ageing Hubble space telescope to determine the true colour of the distant world, the first time such a feat has been achieved for a planet that circles a star other than the sun." The beast is ugly behind its visual beauty: "Unlike the pale blue dot that harbours all known life in the cosmos, the "deep blue dot" is an inhospitable gas giant that lies 63 light years from Earth. On HD189733b, as the planet is named, the temperature soars to 1,000C and glassy hail whips through the air on hypersonic winds."

I am sure folks from The Guardian will blame lack of planning on hostility of the HD189733b environment, calling for more strict Space Development guidelines and better integration between Spacial designs, social inhabitability and environmental sustainability in future discoveries.


Of course, social concepts lend themselves to serious discussions. Here's a great example of the battle ranging in philosophy of science for ages: what implies causality and whether correlation is that. Very insightful and well written. Of course, in economics, we know - causality is whatever your heart desires...


Sometimes our hearts desire that which makes no sense in the world we inhabit. And in the modern age of ageing populations and immovable object-like human existence, this happens more often and with more violent outcomes. Seeing and experiencing nature requires technological contortions of immensely innovative kind in the society where we focus on minimising effort in attaining everything. Behold the latest exemplification of the absurd: a walk bridge 'out' into the Grand Canyon. The point the idea is missing is that Grand Canyon is not to be seen by human as a bird might see it. Instead, it is supposed to be experienced as human can experience it - through physical exhaustion of hiking down or climbing down its walls. Believe me - I've done it twice and it is arduous. But because is is arduous, it is awe-inspiring. And no amount of walking on a fancy platform, near-fainting from the illusion of vast space beneath you can ever replicate the feeling of standing - at the end of the day-long hike - waste-deep in the Colorado River and raising you head to look where you came from.


Not all human world is senseless and not all senselessness is ugly. Even the more poignant examples of ugliness contain elements of beauty. Stunning imagery from one of the best currently active photographers, Michael Wolf, proves the point. My favourite:

Stay tuned for more WLASze links Part 2 later today.