25/12/15: WLASZE: Weekend Links on Arts, Sciences and Zero Economics

Merry Christmas to all! And in spirit of the holiday, time to revive my WLASZE: Weekend Links on Arts, Sciences and Zero Economics postings that wilted away under the snowstorm of work and minutiae, but deserve to be reinstated in 2016.

[Fortunately for WLASZE and unfortunately for die harder economics readers of the blog, I suspect my work commitments in 2016 will be a little more balanced to allow for this...]


Let's start with Artificial Intelligence - folks at ArsTechnica are running an excellent essay, debunking some of the AI myths. Read it here. The list is pretty much on the money:

• Is AI about machines that can think (in human intelligence sense)? Answer: predictably No.  
• Is AI capable of outstripping human ethics? Answer: not necessarily.
• Will AI be a threat to humanity? Answer: not any time soon.
• Can the AI system acquire sudden singularity? Answer: sort of too far away and doubtful even then.

The topic is hugely important, extremely exciting and virtually open-ended. Perhaps of interest, I wrote back in 2005 about the non-linearity and discontinuity of our intelligence as a 'unique' identifier of humanity. The working paper on this (I have not revisited it since 2005) is still available here.

And to top the topic up, here is a link on advances in robotics over the grand year of 2015: http://qz.com/569285/2015-was-a-year-of-dumb-robots/. The title says it all... "dumb robots"... or does it?..

Update: another thought-provoking essay - via QZ - on the topic of AI and its perceived dangers. A quote summarising the story:
"Elon Musk and Stephen Hawking are right: AI is dangerous. But they are dangerously wrong about why. I see two fairly likely futures:

• Future one: AI destroys itself, humanity, and most or all life on earth, probably a lot sooner than within 1000 years.
• Future two: Humanity radically restructures its institutions to empower individuals, probably via trans-humanist modification that effectively merges us with AI. We go to the stars."

Personally, I am not sure which future will emerge, but I am sure that there is only one future in which we - humans - can have a stable, liberty-based society. And it is the second one. Hence my concerns - expressed in public speeches and blog posts - with the effects of technological innovation and the emergence of the Gig-Economy on the fabric of our socio-economic interactions.

At any rate... that is a cool dystopian pic from QZ

Dangers of AI or not, I do hope we sort out architecture before robots either consume or empower us...

On the lighter side, or may be on a brighter side - for the art cannot really be considered a lighter side - Saatchi Art are running their Best of 2015 online show here: http://www.saatchiart.com/shows/best-of-2015 that is worth running through. It is loaded with some younger and excitingly fresher works than make traditional art shows. 

Like Jonas Fisch's vibrantly rough, Gears of Power 

All the way to the hyper-expressionist realism of Tom Pazderka, here is an example of his Elegies to Failed Revolutions, Right Wing Rock'n'Roll 

And for that Christmas spirit in us, by Joseph Brodsky, translated by Derek Walcott (for a double-Nobel take):

The air—fierce frost and pine-boughs.


We’ll cram ourselves in thick clothes,


stumbling in drifts till we’re weary—


better a reindeer than a dromedary.

In the North if faith does not fail


God appears as the warden of a jail


where the kicks in our ribs were rough


but what you hear is “They didn’t get enough.”

In the South the white stuff’s a rare sight,


they love Christ who was also in flight,


desert-born, sand and straw his welcome,


he died, so they say, far from home.

So today, commemorate with wine and bread,


a life with just the sky’s roof overhead


because up there a man escapes


the arresting earth—plus there’s more space.

Merry Christmas to all!

24/11/2013: WLASze: Weekend Links on Arts, Sciences & zero economics

This is WLASze: Weekend Links on Arts, Sciences & zero economics. Enjoy!


Shopping malls rarely inspire - both in terms of exterior architecture and interior design… their utilitarian purpose combines with aesthetic of the masses to produce bland, dentally-inspired greyness… unless, of course, it is a shopping mall in Sweden, where extreme capitalism collides often spectacularly with extreme socialism to produce unexpected visuals. Behold this Van-Damme-Volvo-ad (http://www.youtube.com/watch?v=M7FIvfx5J10) equivalent in the shopping mall architecture:
http://it.phaidon.com/agenda/architecture/articles/2013/november/14/malmos-melted-shopping-mall/
After all, energising those satiated consumers to spend their money on things other than social justice requires visual experiences that are truly spectacular...

Three sets of links relating to space next.

First, NASA's latest Cassini images of the Titan - with high resolution section showing Northern Lakes (Salt Flats): http://saturn.jpl.nasa.gov/photos/imagedetails/index.cfm?imageId=4900
H/T: @raluca3000 @NASAWebbTelescp (click on image to enlarge)

Second, a beautiful set of visuals to put the relative dimension of the Earth and our solar system compared to some stars out there:
http://www.mbandf.com/parallel-world/our-sun-is-extremely-large-our-sun-is-fairly-small

The page above comes courtesy of a fantastic Mechanical.Art.Devices (M.A.D.) Gallery http://www.mbandf.com/mad-gallery/explore/ A fascinating glimpse into the world of unique engineering and design… (not strictly space image, but so elegant, it might just be stellar)...

Three: one hell of a cool story, via arstechnica, from the Antarctica, where earlier this year, scientists discovered Ernie and Bert, "two neutrinos with energies over 100 times higher than the protons that circulate in the LHC. Now, the same team has combed through its data to find an additional 26 high-energy events, and they've done a careful analysis to show that these are almost certainly originating from somewhere outside our Solar System."
http://arstechnica.com/science/2013/11/south-pole-detector-spots-28-out-of-this-world-neutrinos/

And in a related story, http://arstechnica.com/business/2012/04/coolest-jobs-in-tech-literally-running-a-south-pole-data-center/ arstechnica covers the jobs at the South Pole data centre where they have to "heat the air used to cool… data centre".

Brilliantly written and fascinating!


Science Gallery at TCD is featuring this week in dezeen with a story about the latest show "Grow Your Own - Life After Nature" that runs through 19 January 2014 and is worth visiting…
http://www.dezeen.com/2013/11/20/olafur-eliasson-tears-used-to-make-human-cheese/ See @ScienceGallery

A brave show, pushing the bounds of what we consider aesthetically acceptable and blending these bounds with what we consider both art and science. And the science bit is not about the actual physical stuff, like growing cheese culture based on human body excretions-produced bacteria. Instead, it is a science of our self-awareness, the compartmentalising nature of our understanding of the acceptable. In many ways, this is about ethics reaching beyond their own domain into aesthetics. As we commonly have a problem with seeing the animal that provides us with a steak in their living condition, we have a problem seeing (let alone tasting) a slice of cheese that was grown from the bacteria harvested from our bodies.

"Selfmade is a series of ‘microbial sketches’, portraits reflecting an individual’s microbial landscape in a unique cheese. Each cheese is crafted from starter cultures sampled from the skin of a different person. Isolated microbial strains were identified and characterised using microbiological techniques and 16S ribosomal RNA sequencing. Like the human body, each cheese has a unique set of microbes that metabolically shape a unique odour."

We then frame the whole experiment into what is ethically or aesthetically acceptable to us: "Cheese odours were sampled and characterised using headspace gas chromatography-mass spectrometry analysis, a technique used to identify and/or quantify volatile organic compounds present in a sample."

I will leave you at this and suggest you explore the said boundaries on your own…



Interesting show in London's St Petersburg gallery: Vladimir Baranov-Rossine: From Cubism to Surrealism:
http://www.saintpetersburggallery.com/exhibitions.html

Apparently, the first exhibition in 30 years retrospecting his works in Europe.

While on Russian art, an amazing collection of rare Allies posters highlighting the role of the Soviet army during the World War 2: http://rbth.co.uk/multimedia/pictures/2013/11/14/wwii_lend-lease_posters_campaigning_for_soviet_troops_31715.html

And travelling further in time, an unseen until recently collection of early photographs of life in Russia from the beginning of the 20th century
http://www.businessinsider.com/prokudin-gorskii-photos-of-russian-empire-2013-9#a-water-carrier-poses-for-prokudin-gorski-in-the-street-25
Here's a sample - both in colour and original print:

Readers of WLASze would know that I am not a big fan of Zaha Hadid, having written before my opinion about her over-exposed, over-worked studio. However, where credit is due, it should be given. Fantastic aesthetic and total absence of respect for balance can be a cool combination. This building confirms:

http://www.designboom.com/architecture/innovation-tower-by-zaha-hadid-at-hong-kong-polyu-11-20-2013/


And for the last bit - an absolutely fantastic Gel talk by Vi Hart on mathematical applications to music composition:
http://vimeo.com/29893058?utm_content=bufferb7b81&utm_source=buffer&utm_medium=twitter&utm_campaign=Buffer

Enjoy!