Showing posts with label Richard Mosse. Show all posts
Showing posts with label Richard Mosse. Show all posts

Saturday, February 1, 2014

1/2/2014: WLASze: Weekend Links on Arts, Sciences and zero economics


This is WLASze: Weekend Links on Arts, Sciences and zero economics. Enjoy!

Richard Mosse is on show at RHA in Dublin - an even that is an absolute 'must-see': http://www.rhagallery.ie/exhibitions/theenclave/ I covered Mosse's work earlier in relation to his fantastic show at Biennale earlier in 2013 (http://trueeconomics.blogspot.ie/2013/07/2772013-wlasze-part-1-weekend-links-on.html) and had a distinct pleasure attending the RHA exhibition launch. RHA presentation of his photographs and a separate film-based installation are superb and do proper justice to the tremendously important artist. The exhibition also contains one large photograph that was not on show in Venice.


@RHAgallery

And while at RHA, do not (not that there is any fear you would) miss their superb mini-retrospective of Micheal Farrell - an exhibition spanning the career of one of Ireland’s most accomplished artists, showing both his search across styles and narratives over the years and the emergence of his unique, personal voice. For myself, not all too knowledgeable about Irish artists of the period, this was an eyeopening exhibition.



Now onto more international scene...

My penchant for Science Meets Art themes is being well-catered for by Adam Summers photography that combines use of dyes and fish to reveal the natural beauty of skeletal structure: symmetry, complexity and patterns:
http://www.designboom.com/art/adam-summers-dyes-fish-specimens-to-reveal-their-anatomy-12-19-2013/


When nature meets the power of contrast and the two meet the human eye, values, semiotics, interplays of colour and light and geometry of proximate symmetry - all come into play.



On the opposite side of the same clustering of art and science, the contrast is amplified through superficial tech:
SOICHIRO MIHARA won 17th Japan Media Arts Festival award, here is his collaborative project from 2011, Moids 2.1.3 - acoustic emergence structure: http://www.samtidskunst.dk/simpleinteractions/projects/soichiro-mihara-hiroko-mugibayashi-kazuki-saita/

The installation combines 1024 autonomously functioning units that record the sounds of their proximate surrounding, and combine a micro-cprocessor that analyzes the recorded sound. The sound is recorded based on the programmed limits which trigger both the start and end of the recording for a specific unit, plus the triggering algorithm for chain reactions.




Big controversy in NY: after pretty lengthy period of speculations and debates, MoMA announced recently that "after an "exhaustive" analysis of the different options (razing the former Museum of Folk Art on 53rd Street, saving the distinctive facade, or saving the building), the museum had reluctantly decided (feel free to roll your eyes here) to demolish the Tod Williams & Billie Tsien-designed structure to make way for a museum expansion and, not at all coincidentally, an 82-story residential tower developed by Gerald Hines and designed by Jean Nouvel."
http://www.metropolismag.com/Point-of-View/January-2014/Done-Deal-MoMA-To-Raze-Folk-Art-Museum/
Here are some images of the museum building:



Sadly, I must add… sadly. The Folk Moma is a brilliant design, architecturally challenging and powerful, breaking up the monotonously 'Manhattanite' space… All to be replaced by what amounts to a spiced-up version of corporatism…


To pure art: Kristian Rothstein an interesting developing artist worth following for abstract art fans: http://kristian-rothstein.com/Weis-1


Still raw and searching, and mostly borrowing from Gerhard Richter, Rothstein is one to watch as he draws on some nicely intuitive, organic sensitivity in his use of colour.


Talking about sensitivity, while swinging a massive u-turn from art to science, here is a story from physics: the far-reaching idea for a Death Star-styled laser that can focus particles into a massive space telescope:
http://arstechnica.com/science/2014/01/giant-laser-could-arrange-particles-into-enormous-space-telescope/
Description via arstechnica is brilliant: "let me present the trifecta of awesomeness: a seemingly ridiculous idea, one that works in a bizarre manner that has little to do with the justification given by the scientists, and—to really make matters special—it involves lasers in space." The rest of this article is mind-boggling and can pass as a good teaser for one of those "Mind-Training" programmes that simultaneously burns vast amounts of calories and flexes your brain… rend and enjoy…


Last week I tweeted about the shortlisting of the Dublin-based Heneghan Peng practice for designing Contemporary Arts Center in Moscow. Here's the link:
http://www.architecturefoundation.ie/news-item/heneghan-peng-on-moscow-museum-shortlist/
Pardon the comparative, but it evokes the imagery of the "Deep Thought" from the Hitchhikers Guide… despite the fact that the "Deep Thought" really was figurative, non-abstract non-geometric structure more resemblant of Henry Moore's sculptures… Or may be it mreminds me of a stack of old-fashioned disk drives for extinct computers… or an old stereo equipment 'tower'? ok, ok, I am stretching things here… But, of course, Moscow is no stranger to geometric juxtaposing in its own architectural heritage… and I like it... I can't quite decide why...


The "Deep Thought" was of course a computer that was created to come up with the Answer to The Ultimate Question of Life, the Universe, and Everything. And everything is a big theme for physics nowadays. Good thing that recently they got a glimpse of a piece of this 'everything'. Per BusinessInsider: "For the first time, astronomers were able to see a string of hot gas known as a filament that is thought to be part of the mysterious underlying structure that dictates the layout of all the stars and galaxies in our universe. Scientists believe that matter in the universe is arranged into a gigantic web-like structure. This is called the cosmic web." Read more: http://www.businessinsider.com/first-image-of-cosmic-web-2014-1#ixzz2s5048t46

The whole thing relates to the eXtreme Deep Field view of the Universe, which is covered in all its glory here: http://www.nasa.gov/mission_pages/hubble/science/xdf.html

Do note that none of this disputes that the answer to the Ultimate Question of Life, the Universe, and Everything is, as found by the Depp Thought, 42. Nor does it provide any insight into Deep Thought's last conjecture that "…the problem, to be quite honest with you is that you've never actually known what the question was". But it is fascinating, nonetheless. 

Saturday, July 27, 2013

27/7/2013: WLASze Part 1: Weekend Links on Arts, Sciences and zero economics

This is the first part of my regular WLASze: Weekly Links on Arts, Sciences and zero economics posts for this weekend. Enjoy...


Let's start with some music: http://www.youtube.com/watch?v=EEB6bX35aHk
H/T to t.j greene @greentak : Gipsy Kings - Duende

And while on music front, memory brings me back to one of my most favourite composers of all times: Arvo Part's his Fratres was recently heard by myself and MrsG in Dublin's NCH. Different performance, but equally sublime: http://www.youtube.com/watch?v=KddCQz_Ru_w


Of Fratres in us all… and science-linked, too: Nothing - emotively or nostalgically - comes close to seeing the Earth from outer space… and this photograph from July 19, 2013, the wide-angle camera on NASA's Cassini spacecraft, showing Saturn's rings and our planet Earth and its moon in the same frame does the job superbly:
http://www.nasa.gov/mission_pages/cassini/multimedia/pia17171.html#.Ue7tE2SglF_



Art merged with (sort of) science, or may be with just raw (accident-driven) curiosity?
http://www.wired.com/rawfile/2013/07/who-knew-golf-balls-could-be-so-arty/?viewall=true
Images are stunning. My favourite?
http://www.wired.com/rawfile/2013/07/who-knew-golf-balls-could-be-so-arty/#slideid-27451
and

Reminds me of Kenneth Noland and Josef Albers. Kandinsky described circular form as one of the most natural and challenging simultaneously. Geometrically-speaking, circle is also conceptually one of the unique basic 'natural' shapes (Platonism)… go figure it is all inside a golf ball…


"The robots are even more baffled by Bernanke than the humans" - yes, I know - this is 'zero economics' post… but this is very, very good...
http://qz.com/108089/the-robots-are-even-more-baffled-by-bernanke-than-the-humans/
Need I to say that at a higher level - more 'Earth from Saturn' of a vantage point - Bernanke is baffling to humans too. But that has more to do with my Impossible Monetary Dilemma (you can search my blog for that to read my musings, or one of the summaries is here).


Prix Pictet photographer, Simon Norfolk, captures harsh reality of life in Afghanistan


Simon Norfolk, "The Disaster Season", 2013. Photo: Simon Norfolk for Prix Pictet

"After winning the coveted Prix Pictet commission, the British photographer Simon Norfolk travelled to Bamyan Province in Afghanistan's Central Highlands in February to shoot the landscape as it changed through the seasons. There the climate can wreak havoc on the local farming communities—May is known as the “disaster season”, when the sun melts the deep winter snow, sending it crashing down the valleys and often ripping through villages in its path. "Every year the beautiful, pristine blanket of white holds within it the possibilities of destruction and death," Norfolk writes in the Financial Times newspaper. Norfolk's series, also called “The Disaster Season”, depicts scenes photographed from the same vantage point roughly six weeks apart. The body of work is due to go on show at Somerset House in London from 10 to 27 October."

You can see more of his work here: http://www.simonnorfolk.com/burkenorfolk/photos.html


His other work - equally stunning:


Oak trees at Blenheim Palace, copyright Simon Norfolk. Read more: http://www.bjp-online.com/british-journal-of-photography/project/1650104/simon-norfolk-trees-blenheim-palace#ixzz2a5qMQuuV


Science and art: take a fixed spot in the sky. Take a shot every 10 seconds. Form a day-long movie of these shots. One movie per day over 360 days. Combine. Get: http://apod.nasa.gov/apod/ap130724.html Creative, imaginative, structured, replicable, not confirmable. Science and art. I loved this.


And then, take the most sacred in science (speed of light) and freeze it:
http://www.newscientist.com/article/dn23925-light-completely-stopped-for-a-recordbreaking-minute#.UfITIWSglF9
"While light normally travels at just under 300 million metres per second in a vacuum, physicists managed to slow it down to just 17 metres per second in 1999 and then halt it completely two years later, though only for a fraction of a second. Earlier this year, researchers kept it still for 16 seconds using cold atoms."


But just taking fixed-point photographs does not guarantee attainment of value.
"A new exhibition by Magnum photographer Peter Marlow - opening today at London's The Wapping Project Bankside" - July 24th is an exemplification of the above statement.

Frankly, I'd run away from this parade of banality. As an architectural cataloguing project, this might fly. And the architecture is rather impressive, beyond any doubt. But as art this photography is static, boring, compositionally unchallenging and exploratively flat. Textures, tonalities, light remain unexplored, space is drained of its meanings.

Quote: "These days, Anglican cathedrals attract more tourists than churchgoers - though in some respects, both are arguably worshipping something greater than themselves. And while we wait with bated breath for the next 'starchitect' masterwork to be erected, it is worthwhile to remember that these religious shrines have withstood a test of fortitude (think two World Wars) far greater than any modern pinnacle might face - for centuries in fact."  Yes. But none of this has anything to do with Peter Marlow's effort, which, in the end, is itself a quintessentially a replica of the shallow tourist view… sans John Baldessari's capacity for sarcasm:




In contrast - a superb, absolutely superb work at the Irish pavilion at Venice Biennale 2013 offers an excellent viewing:

Panoramic landscapes from the range of geographies - rich, luscious, dynamic, juxtaposing war and peace, calm and tension, colour and depth - by Irish artist Richard Mosse's. Mosse uses infrared film to re-narrate space:


Ireland put one of the top 5 pavilions in Venice Biennale 2013, if not the best. Well done!


Stay tuned for WLASze Part 2 later… Enjoy… and think… and marvel… and question…